The Gold Collection got mentioned!

Susan of Big Chunky Jewellery wrote to me last week she gave my Gold Collection a mention on her web site in an interesting article Debate About Gold Continues, if you would like to read Susan's post here is the link  http://bigchunkyjewellery.co.uk/  at least I hope it works!

The Ganoksin Exhibition

The Ganoksin Exhibition Beauty Is In The Eye of the Beholder, went online this month it is curated by Beth Wicker. The exhibition showcases 247 images chosen from entries from over 55 artists representing North America, South America, Europe, Australia, Central America, Africa and Eurasia.

 

The drive to adorn the human body is surely as old as human kind. From pre-historic times this drive has led humans to use the materials at hand, combined with the technologies and tools available, to create objects to adorn the human body. The oldest jewelry found to date goes back to at least 75,000 years ago in Africa.

Early jewelry was made of bones, shells, sticks, and whatever other materials the people could find and shape. Over time the ability to mine and shape metal developed, and jewelry was made from bronze, silver, gold, platinum and other metals. Gold has long been thought of as a "precious" metal, and today it is joined by silver and platinum as the three main materials modern jewelry is made from.  While much jewelry today is made from these three main metals, a large body of jewelry world-wide is still made from a much wider range of materials. This exhibition, "Beauty is in the Eye of the Beholder", focuses on jewelry made primarily of materials other than gold, platinum and silver.

Jewelers today are still using found objects such as shell and bone; they are using "green" materials - upcycled and recycled objects and materials; they are using cutting edge plastics and newly developed technology; and they are using older metals such as copper, brass and bronze.

Some of the more unusual materials include vinyl LP's, velvet, VCR components, rattlesnake vertebrae, corian, canvas, paper, crab claws, magnets, synthetic rubber electrical insulation tubing, and aluminum grounding wire.

More traditional materials used include copper, bronze, brass, glass, various types of wood, gemstones, pearls and seeds.

Techniques range from traditional metalsmithing, through a range of beading techniques, textile techniques, photography techniques and cutting edge industrial fabrication.

Participants range from professional jewelers with international reputations to students just learning their craft.

Hosted on the Ganoksin website, the world's largest internet site devoted to jewelry- related topics, the exhibition is a snapshot of what jewelers around the world are exploring, and an inspiration to all. The exhibition was conceived Beth Wicker, an artist from South Carolina, in the USA, and curated by Beth and Hanuman Aspler, founder of the Ganoksin Project.

Beauty Is In the Eye of the Beholderhttp://www.ganoksin.com/gnkurl/beb

I had three necklaces accepted Lily Pads, Princess and Plum Blossom; they are below if you would like to see them.

 

  

 

Wow...!!! I won my catagory.

The results are in at last of a contest I entered and I won my catagory. The talent was amazing so many wonderful pieces in the different catagories the judges had a really hard time choosing, so I feel very honoured to be a winner.
I have always shied away from contests in the past but got persuaded last year to enter one.
I am not a competative person at all, so it is hard for me to do this, so I just imagined I was showing a new piece here on my journal to all you folks and it was a bit easier. Anyway I thought you might like to see the necklace that won.
It was based on a beautiful semi double scarlet Camellia called Grand Prix. The inspiration came about because I had this circular piece of Citrine crystals, it was quite a large round and I had no clue what to do with it, I got it out of the box several times over the months, stared at it and put it away again, then just before the contest started, I got it out yet again and suddenly, I thought, I know what you are, the centre of a flower, a big colourful flower! It had to be either a Clematis or Camellia, as soon as I saw Camellia Grand Prix I knew that was the right flower for this piece and so to the sketch pad and from there to the clay. I strung with white pearls and coral rounds and added a little female humming bird for fun!
Please leave a comment if you would like to I love to read them all.